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of Wisconsin Managing Editor CESAR SAERCHINGER Modern Music Society of New York In Fourteen Volumes Profusely Illustrated FACULTr OTMUSIG tint UNIVERSITY Or! « NEW YORK ^\V\\ t I THE NATIONAL SOCIETY OF MUSIC /hi /(TO 05670 , ,» : Swiss violinist and composer of chamber music in the late 17th cent. He wrote also concertos, sonatas and fugues, and ex- celled in violin playing.

D.) : Roman author of Compendium de musica cited by Boe- tius. Petersburg, London, Paris, and North and South America. He composed one mass, one ballet, 3 string quartets, etc. He composed songs, choruses, etc., wrote an Unter- suchung fiber die Ausfiihrung der Tem- pi in den Kammermusikwerken Klass- ischer Autoren. His Griindliche Anweisung zur Komposition, the best of his theoretical works, passed through two editions in Germany and was translated into French and English.

Rome; libra- rian at the Vatican; archeologist and writer of Drammaturgia (1666), a cata- logue of great historical worth; a sec- ond edition, brought up to date, was published 1755 at Venice.

Nanini; papal chapel singer from 1629, composer of a 9-part Miserere which was sung during Holy Week in the Sistine Chapel, and which could not be copied (first pub.

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In 1680 he left Dresden to become organist at the Thomaskirche at Leipzig; later returned to Prague. 1761 Oxford bestowed upon him the title of doctor of music. 1763, player of mandolin and violin at Con- cert Spirituels, founder of music busi- ness in Lyons, 1795, author of violin method. As deacon of Christ Church, he collected a library of music second only to that of the British Museum. Oxford; theologian, his- torian, architect and composer. of Kansas, 1885-87, at Utica Cons., 1889-91, in Rochester, 1891-1903, in Philadelphia, 1903-11, in New York, since 1911; has composed a cantata, choruses, songs, etc.; author of 'Vocal Economy' (1895). Casinalbo; maestro di cap- pella at Turin, then in Paris, London, etc., second Kapellmeister at the Ber- lin Royal Opera, 1789-92. He acquired the patents of Alexandre Martin [de Provins], who became a silent partner till 1855, but later fought the firm in the courts. Boston; dramatic soprano, pupil of Gi- raudet and Georg Henschel; made her debut at Manhattan Opera House, New York, later sang at the Metropolitan Opera House; sang Briinnhilde at Bayreuth, 1914. Blackstone, Mass.; stud- ied at New England Cons., with Shake- speare in London and with Trabadello and Sbriglia in Paris; professor of mu- sic, Univ. Paris; one of the first makers of harmoniums (accordions, melodiums), popular under the name of 100-franc organs. Pisa; cham- ber musician to Frederick the Great, opera librettist, author of Saggio sopra Vopera in musica (1755).

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